The church is one of the only places in our culture today where people of all ages, backgrounds, and abilities gather together for one hour on Sunday mornings and sing as a group. Throughout the rest of the week, we mostly listen to soloists singing songs that highlight their skill as individuals, whether it’s pop, country, rock, even contemporary Christian radio, or we watch soloists compete on shows like The Voice; even if we go out to listen to live music, it’s all lead-singer driven.
This increasing cultural focus on the solo singer, and the pursuit of flashy, individual talent and show-offy singing to the exclusion of all else (e.g. the national anthem at ball games), is tragic inasmuch as it marks the demise of group song. Singing with a group is one of the most profoundly unifying activities in which we can engage. Singing together unified and empowered the Civil Rights Movement of the last century. Singing carols brought together the two sides of the Western Front during the cease-fire on Christmas Day in 1914. And lifting our voices together in worship unites the church in the same way: it is an essential practice that strengthens the community of the church in a way nothing else can, which is why from its very beginning, the church has sung together.
When they had sung a hymn, they went out to the Mount of Olives. (Mark 14:26)
John Wesley, like the other hymnists of the Great Awakening, realized the power of a singing church; from the beginning, the people called Methodists were known as “a singing people.” In his 1761 hymnal Select Hymns, Wesley included “Directions for Singing” to encourage congregational song, and these can still be found in the front of our hymnal today.Read More »